singularis, the talented young beat-wrangler from the netherlands, first appeared on the cold busted label at the age of 16 with his impressive debut album evening hours. since then hes grown both as a producer and in age, now unveiling what a time, his third fulllength for the prestigious downtempo imprint.

(q phase & ben sims remixes) the original splanetary funk 12s by p.a.s. dates back to the early 1990s. the 21st century re-activation of the planetary funk moniker isnt a nostalgic look backwards so much as an expansion of its original mission.

scoobs and the big doof were bored. scoobs remembered the acid bar in his pocket, halved it with his pal and the pair melted back into the sofa...

every now and then there comes a record designed just for djs and the dance floor in the series of :no questions asked) we’ve gone back to basic with simple offering tools for the dj. we also tried to put back the mystery of great dance music. this is one of 4 volumes. for all offerings there are no artist names or titles.we thank you for understanding.

last year saw the mysterious garage shelter make their debut appearance on skylax, and little is still known about them! all we know is they are back with some freshness on the skylax classic sublabel. first up is bring back love, a track that will sink its claws in with that infectious vocal sample hook. sticking with the old school sample vibe is the lonely heart dub of attempt, it’s a bit more mellow but still has plenty of groove in it. friend of the garage shelter, dj la foudre, appears over on the b side with it’s alright (signal st mix). still on that catchy sample tip, it features one of the grooviest bassline and funky guitar pairings i’ve heard in a long time. next up, perception 66 is a smooth house affair from yet another friend, asa no hikari. rounding out the package is garage shelter’s own you (still), a dreamy pad-driven track that may indeed be the pick of the release. while we don’t know much about garage shelter, we can’t help but look forward to what they come out with next!

paris-based beat x changers brings up to you a new record with a collaborative project in the shape of classic cuts.our new release introduces two new french artists brought together on a split ep: tell from paris and name from the sunny avignon city, both of them backed- up by exclusive remixes from three of our historical beat x producers: neue grafik and pulkone (aka x_1 & monomite). on the a-side, discover tell - a 20-year old jazz drummer - who releases two soulful and melodic tracks. you’ll recognize the heat of the mpc grain, obsessing samples and uplifting breaks. on the b-side, southern producer name offers a disco-like and funky house music via two dancing tracks with a clear reference to the clubbing universe of new york and chicago. this activist dj and experimented producer – he is an ableton teacher on the side – gained recognition in the south of france music scene in the last decade and reached the ears of producer kink.grand Écart (i.e. wide gap or split) recalls the time it took to release this ep. it’s also a geographical gap, a gap between the ideas of the five artists brought together on this release, a gap between our expectations and the reality of some passed – or cancelled – venues in paris. we have always believed in this project and in our flexibility!

vfr is back on that place records. he has taking time to cook new tracks, showing his deep side of house & techno music. the result is trip voyager.

ahead of the release of his much anticipated second album on no.19 music, legendary canadian dj, vocalist and producer kenny glasgow serves up a scintillating single from it. the album comes seven years after glasgow’s last legendary lp, a taste of the low life, and in that time he has found global fame both as a solo producer and part of art department with jonny white. someone known for his beguiling vocal work and stripped back, slick and metallic tech house style, this limited, vinyl-only single is a truly mouth watering taste of the excellent full length album, circus tales, that is to come in summer.

ultratheque pays tribute to glasgow s first ever laser disco and the first dancehall that hifi sean frequented as a teenager. soft cell/the grid analogue keyboard maestro dave ball adds his trademark sound on this solid electro groove making it sound like some lost dub from nyc danceteria days dave himself with skull bandits crank up the electroclash vibes on the remix and turn it into a full on dancefloor onslaught like ultratheque itself was back in those laser-tastic days.

were honored to present mulla and his debut ep six chapters. mullas appearance on cahoots volume 2 with smack back brought something refreshing to our ears and we immediately wanted more. with that said, we welcome our treasured nomad back to the cahoots camp with six chapters.

edits is back with another release made for the floor.hip house party anthems sounds a bit cheesy but this is exactly what the tracks do when played on a proper sound system. these tracks were never meant to be released and couldonly be heard on the floor at the right place at the right time. but since reactions were always so overwhelming these tracks are now released for everybody to enjoy. the a-side features original tracks from amsterdam cool kid tommy theo (this is his first release)and label founders latelier. ...

welcome kerri chandler s kaoz theory imprint to our exclusive roster. kicking things off we have hot creations label boss jamie jones who storms back with yet another highly anticipated dancefloor focused release, the illicit behaviour ep consists of two originals and two remixes, delivering a diverse collection of tracks with a common theme for setting an infectious groove.

apotek records takes a conversant and pliable approach to this dialectic ep. jerome sydenham opens the technological fray with the title track dialectic. deep swinging rhythms coupled with a deeply rooted dub vocal truly define its essential neoteric sensibilities. jerome sydenham s remix of macroisms drone is a prime example of take no prisoners berghain techno pure rumpus. the b-side introduces the sophomore single from hot new berlin talent non reversible. the track kuro is absolutely unapologetic in its discharge of nebulous dark thunder techno. powerful! on the last cut, jerome sydenham gets back behind the splicing desk, breaks out the razor blades and deftly edits the echoplex classic pitch break. the results is transcendent hypnotic techno bliss.

morah’s first release came from helena hauff’s return to disorder label and this time the athenian producer takes the same techno and electro sound and goes completely berserk for berceuse heroique. morah creates some huge waves of feedback on anarchy, which sounds like a techno version of metal machine music, then he takes the old school viewlexx sound and makes it even more confrontational, on you said no and impasse. looking back is a beautiful, melancholic - but still very dysfunctional - version of the death of a rave. one of the strongest points of this new producer is that his music sounds like the city of athens right now: raw energy mixed with manic depression and pessimism.

give a warm welcome to a new afu member, mexican dj and producer israel toledo with his undertaker ep !all tracks convince right from the start, very fat produced and arranged with compelling melodies and a driving bass. after five years israel toledo is back again on vinyl. this ep is a welcome opportunity for all fans and vinyl lovers to enjoy the distinctive sound of israel toledo on the black gold again.

powerdance is a collective formed by luke solomon and nick maurer formed as a reaction to bland soul less dance music that seems to infiltrating nightclubs the world over. luke and nicks comradely stems back many many years to their association with the classic music company a label formed by derrick carter and luke. nick maurer was one half of the then prolific greens keepers. this ep for optimo trax features the wigged epically funkoid gem mysterious space plane who doesn t like songs about space? on the other side is the modern hyper jacking more fire. alongside these are a reprise of mysterious space plane and a bonus beats of more fire for those djs who like to, are able to get creative with their mixing

loose fits has landed kicking off with this superb collaboration from jay shepheard, kito jempere and pete herbert. these three artists need no introduction and between them are releasing music on a diverse range of labels including lets play house, freerange, retrofit, dirt crew, running back, futureboogie, maxidiscs and many others.
here they drop 4 heavy dance floor cuts featuring a prefect blend of their trademark sounds, combining deep melodic themes with rugged percussion and bass, all mixed for great club effect. watch out for more from us soon!

future times is very happy to announce a new record from rbl, who we haven t heard from since his 7- for ft (the second-ever release on the label) about 7 years back (!).tip once again the songs are split up into dance and romance sides, on the dance side we have -frequency illusion,- a glorious slap of vibro-house for the deejay crew, coming in hot like a rugged pal joey tune, and on the romance side we have the slow hypnotic funk of -number games,- complete with dope mantra vox and italian slo-house chug. this one is a doozy!!

a truly timeless classic from eduardo de la calle, back on single-sided 10 inch vinyl.

three ultra exclusive remixes of arguably the most upfront track on the forthcoming marquis hawkes album on houndstooth, which features legendary soul diva jocelyn brown on vox. fell off the back of a warehouse, and in short supply, so dont sleep on this!

after having brought you the critically acclaimed japanese house compilation once upon a time in japan, jazzy couscous introduces one of the most promising artist of the french deep house scene, hugo lx.having worked on a strings of releases in early 2016, french producer hugo lx (courtesy of balance, my love is underground, faces) comes back with another four track offering, with help from fellow french man, korea-based fulbert, on the remix duties. expect some sample-built, bass heavy, deep fried pieces from the nomadic beatsmith, merging influences from japanese dreamy ambiant, french vaporous soundtracks and american deep dance music. this ep will without a doubt be on heavy rotation on the dancefloors this summer!

the original greatest hits 1 & 2 albums available together for the first time on white double vinyl in gatefold sleeve. includes 4 bonus tracks. chris norman vocals incl lay back in the armes of someones, stumblin in & living the door to alice !

unbalance strikes back. another killer techno ep on his own imprint.

gorgon city have catapulted their way to fame since the duo formed in 2012. taking a break from their black butter home, damian lazarus welcomes them to his crosstown rebels label for the first time for ‘money’, an atomic bomb of an ep bleeding with big moments. david morales lends his legendary red zone stamp, created in the early 90’s for when the club was at it’s peak, his high energy version of ‘money’ creates a mind-bending state of mind. while riva starr, hot on the heels of his cajual album, strips it back to the elements where we feel the blood of its veins. gorgon city will kick off their ibiza residency on amnesia terrace this summer and in may they co-headline central park in nyc and shrine in la as part of a massive 5 date us tour. this ep is their calling card to the underground, leaving no doubt why nme named them the crème de la crème of new uk dance talent

tommy garofalo aka turbojazz returns to local talk after remixing corrado bucci back in 2015. a producer with great versatility that started djing and producing music during the 90 s, heavily inspiried by hip hop. something that would bring him to explore the whole black music culture, from dance floor jazz to rare funk and disco, passing through all things soulful and deep. take all of the above & stir it in a musical pot and you get the unbreakable ep , the debut 12- on local talk from turbojazz. the ep kicks of with please u which features david blank on vocals. a retro-futuristic track with warm chords draping themselves over snappy snares & melodies. on the flip, unicorn rising bounces along with the sort of finesse you d expect from a producer like recloose, it s flavoured with quirky breaks and warm fuzz bass & analogue-sounding keys. last but not least we ve got evm128 on remix duties, a feel-good slice of broken beat anyone ? it s a blinder ladies and gentlemen.

tominori hosoya is the project of japanese track-maker tomi chair and for the past years he s been on a steadfast journey in the land of soulful house. his most recent offering on mixxrecords entitled life goes on ep includes four tracks, three originals and one brothers vibe remix. starting off with over the sadness, the first piece is a laid back groove with a solid bass backbone animated by classic house hi-hats. strategy meeting gets peppered with wobbly synths, giving the cut a seemly acid vibe against a steady percussive background. with 32-33 (one decision), tominori delves into his tribal side, keeping the focus on exotic drum patterns. the dreamy synth melody provides a contrasting yet fitting backline. for his remix of strategy meeting, brothers vibe goes full force and turns the track into a peak time floor killer, with a hypnotic percussive line, a solid project for certain!

club lonely s first 12 inch coming from san francisco drum machine freak vin sol. vinyl only wild chicago trax for club destruction. west coast producer and clone affiliate vin sol has been steadily banging the box creating his twisted takes on house, techno and whatever weird ass grey area that exists between the two. his sound is uncompromising, carefully crafted trax for the dance floor hinging on raw and stripped back grooves with relentless movement. this sentiment is also expertly conveyed in his dj sets and mixes.with his production getting support from both techno and house heavy hitters like marcel dettmann, larry heard, seth troxler, richie hawtin, len faki, scuba, joey anderson and boddika.

riding high off his freshman release for the legendary dj sneak, destrada is back with his second release. a three track ep of edgy & at times out of control dance music that will remain in dj crates for many years to come. played by luke solomon, steve bug, sneak & mark farina.

dhaze is back on electronique and the talented italian has come up trumps once again with this dark and energetic opium ep backed with a very hot remix of come to me courtesy of much admired duo proudly people. early support from marco carola, richie hawtin, leon, stacey pullen, yaya, reelow, arado, rhadow, miguel bastida & more

** limited 2016 repress **
next up on fear of flyings vinyl offshoot label regular cally joins up with good pal andi to provide a 3 tracker of stripped down tools. >smelt< kicks things off with its cavernous bass stabs and solid beats whilst >druma< on the flip offers up similar stripped back vibes but injects more of a groove. >etajul 13< is the more dancefloor friendly track on the ep with tougher beats and a driving b-line.

** ltd 2016 repress ** the next release on fofs deeper house offshoot sees the labels roster swell to include two producers who are ascending the ranks, their recent >gruff it< track on the hotter than hot >visionquest< label has turned a heads and they look set to continue their upward trajectory. matthew has also released solo projects on john shepheards >retrofit< label as well as providing the debut release for sammy ds >ultrastretch< label. not only that but matthew is currently in the middle of his summer residency at berlins much revered club der visionaere. >take me away< is a pure slice of chord driven deep house and as such is a slight departure for the duo, the melodies inclining towards more melancholic feelings. remixes come from recent fof favourite scahtrax who strips the track right back, injecting a booming bass heavy kick drum & atmospherics to lend the track a more hypnotic tone. label co-owner blm injects a dubbier feel into his take on the flip. finally, matthew burton goes solo for >tell them phill sent ya< - a loose limbed dancefloor workout reminiscent of perlon in their pomp.

a few years back 14kt gave out a free downloadable project called “14killatape”. fast forward to the present, and street corner music now presents a darker, retooled version... “14killatape: redux” brings you 5 tracks from the original incarnation, along with 7 brand new grimy treats now on vinyl!

billy nasty’s electrix records launches its 2016 schedule by welcoming back the always impressive, carl finlow. carl is one of dance music’s leading lights and a multi-talented producer across a range of genres, with releases stretching back to the early 90s. well known for the 2020 vision label he launched with ralph lawson, his solo work however has often taken an electro route with releases under various guises like random factor, black labs, voice stealer, silicon scally and scarletron (with daz quayle) on labels including warp, fuel, playhouse, paper, trope, sony, klang, arista, soma, scsi, pagan, minifunk, seventh sign and satamile. it’s been almost 3 years since carl appeared on electrix. his ‘boot loop ep’ became the label’s second release after its re-launch in 2013. but it’s definitely been worth the wait. his ‘electricology 4 ep’ once again shows why he’s a master of the genre. from the tough and funked-up ‘lateral thoughts’, speckled and melodic ‘hyperloop’, squelching, bassy ‘suspect reanimation’ and sinister, beat-driven ‘latext’, right through to the playful ‘atomic level’ (a bonus track for the digital release), the ep shines, with a stamp of high quality running though its core.

playfulscience is back with another ep full of groove and cosmic vibe. third_child & zavor continue to leave their trademark on the playfulness of the musical sciences.. two originals, an hypnotic rmx and an infinite loop make this release perfect for each hour, moment and situation of a party! essential 12

fter an immediately essential ep on moon harbour back in july 2015, influential german selector, label boss, writer and taste making producer dj t. is back on matthias tanzmann s label in 2016 with a fresh new three tracker.

genesis is the fifth studio album by american rapper and leader of the new school alumnus busta rhymes. released in 2001, the album debuted at number 7 on the billboard 200 and ultimately sold 1 million copies in the us and was certified platinum. the fourth single from the album, “pass the courvoisier part ii”, peaked at number 11 on the billboard hot 100.

ltd repress, black vinyl , llangollens crow castle cuts crew invited gnork to space out… gnork meets mr luv*jam in budapest in the sweetest autumn season. a blorpy onk tripp through transylvania and the forest of hoia baciu, eventually retreating back to budapest. these are the tracks that inspired that journey. we also give you another blind jacks journey regular subjecktive and gnorks secret *re-dream* edit of no cursing. this is raw.4 from crow castle cuts, the final part of the 8 x 12 inch series as castel dinas bran now lays to rest.

limited 2013 repress - vinyl only
in collaboration with aniara records sankt goran presents an old swedish release that has been released as promo only in 1999. its a release called slobban by a late 90s trio of jens johansson, peter gustafsson and carl magnus ernström from falun in the woods of dalarna, two hours north of stockholm. almost classic detroit techno tracks with some jazzy influences from these guys that have been playing around and tweeking their deep bass nine, tb-303, korg dw8000 and yamaha dx7 & dx10, sprinkling some samples on top with the casio fz-10m since 1994. the peepz of aniara were so impressed by this obscure record that they found it essential to get a small run back avaialble for the many vinyl heads around. vinyl only release of these great swedish techno tracks somehow in the vein of the breakthrough tracks of aril brihka. nice one!

2016 repress !! german label tabla builds on a solid first two releases from ion ludwig and micha klang & kuroneko with a new four track ep from romanian, little hado. since 2008 little hado has been releasing stripped back minimal house on labels like pleasure zone, soundcrossing and baile musik, always with his own inventive style and kinked sense of groove.

spazio disponibile is the italian label run by voices from the lake, aka italians donato dozzy and neel. it finds the pair putting out music made with their rome party of the same name in mind. music comes from the founders themselves, as well as guests who record in the studio in the days leading up to the party. after a first release by voices from the lake, dozzy is back with a solo ep offering four cuts to form the that fab ep.

vinyl only release, 180gr pressing
barac returns to cluj’s midi records, this time with a whole release at his disposal. seen and unseen is an unsung rite of passage, marking the moment of stepping out of his confort zone, from the deep waters of house music with a gentle touch of nostalgia, to reveal a tiny bit of his techno subconscious. both tracks are slow cooked under baracs signature jagged groove, balancing the energy between both ends of the frequency spectre like a shaman guiding the crowd from light to darkness and back on every single loop.

leap is back! #006 of the catalogue offers two deep journeys by label operator a:lex on the a-side: “soul shower” cuts to the chase with dubby toms, shuffling hats, sharp-ass claps and an infectious warm synth progression that manifests that “body thang” referred to sample-wise. “long way to detroit” is a groover of a mpc-styled workout that stitches together various voices that comment on the city of cities all the while shuffling hard snares around a bubbling baseline - laid-back reminiscence guaranteed. the flip side features one hell of a funky jam entitled “places (live take)” ripped straight from a modular acid session conducted by the mysterious outfit richmond wagner. sparkling hats sprinkled over relentlessly warping bleeps and a thumper of a kickdrum will make crowds go off their heads during upcoming festival season as in any place alike.

bass culture reach that magnificent milestone of 50 releases with an extra special ep from someone who has become part of labels inner circle, the infallible mr g. set up in 2009 by paris stalwart djulz, bass culture records has maintained a consistently high level of music, crossing from techno into house and back again, always with a focus on quality over quantity. mr g delivers two special gems from his arsenal of weaponary to mark the 50th bsss culture release. the first, * transient* sees mr g in contemplative mood, taking a studied approach with this deep, soulful cut. softened pads are drizzled over a punchy low end, with tough, crisp beats supporting a stirring vocal which urges everybody to get up on their feet. the nineties organ lick gives it an almost sorrowful feel, and those pads continue to takes us up to the skies. a beauty. on the flip, * crumple zone* goes straight for the jugular with a driving b-line, alarming stabs and finger-clicking percussion to get that head nodding. combined with garbled, hypnotic vocal clips, its a mesmerising, eyes down cut for the late night heads. towards the latter part of the track, a naughty riff comes in and adds another layer of sleaze to proceedings. and there you have it, mr g proves yet again why he is such a all-round don and bass culture celebrates 50 releases with panache.

this brand new full-length offering from “the screaming eagle of soul” features his critically acclaimed rendition of black sabbath’s “changes”. the vinyl release includes a download code.

its always unwise to judge a label thats still taking its first steps, but banoffee pies has barely put a foot wrong since launching a couple of years back. here, the bristol-based imprint continues with its successful split release formula, gathering together a quartet of tracks from up-and-coming producers. beaner kicks things off with the bumpin , low-slung deep house grooves and delay-laden guitar samples of it takes two, before philou louzolo raises the temperature with the looped horn samples and thumping beats of alter ego. flip for the dreamy balearic house goodness of ron wilson s albino turtle, and the bongo-laden, after-party deep house shuffle of mome s assatta.

tired of the politics of the minneapolis funk scene it’s rumored the group has taken refuge in tokyo’s late night disco scene. their brilliant and cheeky song writing combined with incomparable musicianship will be sure to make a bold statement in the modern funk scene this year. “hot touch” brings bass that goes oops upside your head and down your back into your butt crack. we’ve all been burned before, but never like this. brilliant cut followed by the super deep two-step stunner “ain’t gonna last” on the flip. perfect soundtrack for the end of the party when you look around and yourself, “which one of these freaks is going home with me tonight?” out on star creature.

last harbour return with paler cities, a 7inch vinyl release for gizeh records which marks the follow-up to 2015 s raw and brooding caul album. maintaining the high standards set by caul, these two new tracks are a more direct version of last harbour s signature form, leaning towards a more stripped back, less textured post-punk sound.

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

eyes of mine is a series of live studio jams by george fitzgerald. eyes of mine is stripped back music made with anything that sounds good. eyes of mine is for the dancefloor, not the backstage. dj support: richie hawtin nicole moudaber wehbba nat zombie disco squad hector romero gerd kaiserdisco luca c joseph capriati alan fitzpatrick adam beyer maceo plexx